{"id":49,"date":"2021-05-28T09:43:15","date_gmt":"2021-05-28T08:43:15","guid":{"rendered":"http:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/?page_id=49"},"modified":"2025-09-08T12:54:54","modified_gmt":"2025-09-08T11:54:54","slug":"our-recent-publications","status":"publish","type":"page","link":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/","title":{"rendered":"Our recent publications"},"content":{"rendered":"\n

Recent and Forthcoming<\/h2>\n\n\n\n

Forthcoming<\/strong><\/p>\n\n\n\n

Minor, L. (in press). The \u2018milf\u2019: a brief cultural history, from Mrs Robinson to Stifler\u2019s mom<\/p>\n\n\n\n

Dunleavy, Trisha and Weissmann, Elke (eds.) (2024) TV Drama in the Multi-Platform Age<\/em>, Palgrave Macmillan. <\/p>\n\n\n\n

Weismann, Elke (2024) “Gender and the Youthification of German Television: Zeit der Geheimnisse and Generational Change in High-End TV Drama”, in Dunleavy, Trisha and Weissmann, Elke (eds.) (2024) TV Drama in the Multi-Platform Age<\/em>, Palgrave Macmillan. <\/p>\n\n\n\n

Weissmann, Elke and Tyrrell, Belinda (2024) “From Climate Crisis to Environment(al) Hope: Community, Affect and Local Television”, in Cottell, S. (ed.) Communicating a World in Crisis<\/em>. Peter Lang. <\/p>\n\n\n\n

2023<\/strong><\/p>\n\n\n\n

Mills, Brett (2023). “Animated Animals: Cartoons, Children and Animal Studies”, in Schluchter, J-R. (ed.)Tiere \u2013 Medien \u2013 Bildung: Perspektiven der Animal Studies f\u00fcr Medien und Medienp\u00e4dagogik.<\/em> M\u00fcnchen: Kopaed Verlag, p. 113-124.<\/p>\n\n\n\n

Mills, Brett (2023). “Recorded Stand-Up from Radio to Netflix”, in Double, O. (ed.).The Cambridge Companion to Stand-Up Comedy.<\/em>  Cambridge: Cambridge University Press<\/p>\n\n\n\n

Mills, Brett (2023). “\u201cDogs are supposed to be able to instinctively live with purpose\u201d: Brian, Family Guy<\/em>, and the Inevitable Anthropocentrism of Satire”, in Susan, M. & Robert, M. (eds.) Animal Satire.<\/em> Cham: Palgrave Macmillan, p. 313-331 19 p. (Palgrave Studies in Animals and Literature; vol. Part F1300).<\/p>\n\n\n\n

Mills, Brett (2023). “‘I’m Waiting for You’: Detectorists<\/em> and the Comedy of Landscape”, in Marshall, J. and Irwin, M. (eds.)UK and Irish Regional Comedy<\/em>, Cham: Palgrave Macmillan.<\/p>\n\n\n\n

Watts, Robert (2023). “‘Zero tolerance for candy asses’: World Wrestling Entertainment and Fast & Furious as transmedia storytelling”. In Gulam, J., Elliott, F. & Feinstein, S. (eds.)\u00a0Full-Throttle Franchise: The Culture, Business and Politics of Fast & Furious.<\/em> New York:\u00a0Bloomsbury Publishing PLC,\u00a0p. 233-250.<\/p>\n\n\n\n

Dunleavy, Trisha and Weissmann, Elke (2023). “Cultural Diversity in Internationally C.oproduced High-end Drama”, Critical Studies in Television<\/em>, Vol. 18 (2), pp. 117-127.<\/p>\n\n\n\n

Weisssmann, Elke and Tyrrell, Belinda (2023). “Local Community Climate Activism, Television and Social Change”. Social Alternatives<\/em> 42 (2), pp. 38-44.<\/p>\n\n\n\n

Weissmann, Elke and Tyrrell, Belinda (2023). “A Future for the Climate. Devolution and Participation in Climate Documentaries”. In Mair, John, Riley, John and Beck, Andrew (eds.): Toxic News? Covering Climate Change<\/em>, London: Bitesize Books, pp. 107-115.<\/p>\n\n\n\n

Weissmann, Elke (2023): “From Traditional Regionalism to National Distinction. German Television Co-Productions Through Time”. Critical Studies in Television<\/em>, e-publication before print. Available at (sagepub.com)https:\/\/journals.sagepub.com\/doi\/10.1177\/17496020231211545<\/a> (accessed 05 December 2023). <\/p>\n\n\n\n

Past Publications<\/h2>\n\n\n\n

2022<\/strong><\/p>\n\n\n\n

Mills, Brett (2022). \u201cThe Popular Entertainment Side of Broadcasting Should Receive Much More Attention\u201d: The BBC, Comedy, and Nation-Building at Home and Abroad. <\/a>Critical Studies in Television, <\/em>17(4)<\/a>. (Accessed 15 September 2022).<\/p>\n\n\n\n

Minor, Laura (2022). \u2018U OK hun\u2019? Classed femininities, meme culture and locating humour in the celebrity \u2018hun\u2019. European Journal of Cultural Studies<\/em>, 26(6), 840-862.<\/p>\n\n\n\n

Watts, Robert (2022). “Resurrection, revelation, reception: Rescuing John From Cincinnati from the HBO narrative”. In Cardwell, S., Bignell, J. & Fife Donaldson, L. (eds.). Substance\/style: Moments in television.<\/em> Manchester:\u00a0Manchester University Press,\u00a0p. 156-177\u00a022 p.\u00a0(The Television Series).<\/p>\n\n\n\n

Elke Weissmann and Belinda Tyrrell (2022) Community-led Television, Local Voice and Climate Action: Report for Liverpool City Council and Liverpool City Region Combined Authority<\/em> \u2014 Edge Hill University<\/a> (accessed 15 September 2022).<\/p>\n\n\n\n

Andrea Wright (2022) \u2018Of Gods, Monsters and Men: Science, Faith, the Law, and the Contested Body and Mind in The Frankenstein Chronicles <\/em>(2015-) and The Alienist<\/em> (2018-)\u2019. In J. Leggott, J.A. Taddeo and Byrne, K (eds.) Diagnosing History: Medicine in Television Costume Dramas<\/em>. Manchester University Press.<\/p>\n\n\n\n

2021<\/strong><\/p>\n\n\n\n

Hannah Andrews (2021): Biographical Television Drama<\/em><\/a>. <\/em>Palgrave Macmillan.<\/p>\n\n\n\n

Andrews, Hannah. (2021): Angelo Restivo, Breaking Bad<\/em> and Cinematic Television<\/a>. <\/strong>In: Critical Studies in Television<\/em>, 16 (1): p. 69-71<\/p>\n\n\n\n

Perelandra Beedles (2021) \u2018The Gendered Practice of the TV Opt Out\u2019 in Liddy, S and O’Brien, A (eds) Media Work, Mothers and Motherhood-Negotiating the International Audio-Visual Industry<\/a> . <\/em>Routledge <\/p>\n\n\n\n

Mills, Brett (2021) \u2018Chornobyl, Chernobyl<\/em>, and Anthropocentric Storytelling\u2019, Series: International Journal of TV Serial Narratives <\/em>7:1.<\/p>\n\n\n\n

Mills, Brett (2021) \u2018Liveness and the Live Episode in Television Comedy\u2019 in Jonathan Cohn, Jennifer Porst and Phil Scepanski (eds) Very Special Episodes: Event Television and Social Change<\/em>, New Brunswick: Rutgers University Press, pp. 174-185.<\/p>\n\n\n\n

Mills, Brett (2021) \u2018Comedy Form\u2019 in Louise Peacock (ed) A Cultural History of Comedy \u2013 Volume 6, The Modern Age<\/em>, London: Bloomsbury, 23-41.<\/p>\n\n\n\n

Elke Weissmann (2021): \u2018Imagining the Welsh Nation in a Post-patriarchal, Post-national World: Y Gwyll\/ Hinterland<\/em> and the Re-construction of Trans\/National Masculinity\u2019<\/a>. NORMA: International Journal of Masculinity Studies<\/em>.<\/p>\n\n\n\n

Elke Weissmann (2021) ‘Who’s Nostalgia? Differentiation in German television\u2019s audience address’ in Journal of Popular Television<\/em>, Vol 9 (3).<\/p>\n\n\n\n

2020<\/strong><\/p>\n\n\n\n

Andrews, Hannah. (2020): Drag celebrity impersonation as queer caricature in The Snatch Game<\/a>. In: Celebrity Studies<\/em>. 11, 4, p. 417-430<\/p>\n\n\n\n

Mills, Brett (2020) \u2018Comedy Form\u2019 in Louise Peacock (ed) A Cultural History of Comedy \u2013 Volume 6, The Modern Age<\/em>, London: Bloomsbury.<\/p>\n\n\n\n

Mills, Brett (2020) \u2018The Parrot, the Albatross, and the Cat: Animals and Comedy in Monty Python<\/em>\u2019 in Kate Egan and Jeffrey Weinstock (eds) And Now For Something Completely Different: Critical Approaches to Monty Python<\/em>, London: Routledge, 141-54.<\/p>\n\n\n\n

Weissmann, Elke (2020): \u2018Provocation II: Not Another Article on The Wire: How Hierarchies of Gender Undermine TV Scholarship and Lead to Abuse\u2019<\/a>, in Critical Studies in Television<\/em>, Vol. 15 (4): 399-408.<\/p>\n\n\n\n

2019<\/strong><\/p>\n\n\n\n

Andrews, H. (2019) Distorted Recognition: the pleasures and uses of televisual historical caricature<\/a>. In: Screen<\/em>. 60 (2), p. 280-297.<\/p>\n\n\n\n

Parkinson, Claire (2019):  Animals, Anthropomorphism and Mediated Encounters<\/a><\/em>. London, New York: Routledge. <\/p>\n\n\n\n

Weissmann, Elke (2019): Popular Crime and Populist Investigation: The CSI<\/em> Franchise and Multimedia Participation<\/a>. In: <\/strong>Crime and Detection in Contemporary Culture.<\/em> Vr\u00e1nov\u00e1, M., Vernyik, Z. & Levente Palatinus, D. (eds.). Szeged, Hungary: Americana Books, p. 122-142<\/p>\n\n\n\n

2018<\/strong><\/p>\n\n\n\n

Andrews, H. (2018): \u2018Real people\u2019s lives rarely fall into a three-act structure\u2019: Writing biographical drama for British television<\/a>. <\/strong>In: Journal of Screenwriting<\/em>. 9 (1), p. 41-56.<\/p>\n\n\n\n

Mills, Brett (2018) \u2018Everything for Someone: For an Inclusive Definition of Public Service Broadcasting\u2019 in Des Freedman and Vana Goblot (eds) A Future for Public Service Television<\/em>, London: Goldsmiths Press, 161-4.<\/p>\n\n\n\n

Mills, Brett (2018) \u2018Will and Grace<\/em>\u2019 in Douglas Howard, David Lavery and David Bianculli (eds) The Finale: Considering the Ends of Television Series<\/em>, Syracuse: Syracuse University Press, 439-44.<\/p>\n\n\n\n

Mills, Brett (2018) \u2018Comedy and the Nation in The Trip<\/em>\u2019 in Nick Marx and Matt Sienkiewicz (eds) The Comedy Studies Reader<\/em>, Austin: University of Texas Press, pp unknown.<\/p>\n\n\n\n

Mills, Brett and Rimmer, Mark (2017) \u2018Pure and Simple: Comedy and Music in Car Share<\/em>\u2019 in Liz Giuffre and Phil Hayward (eds) Music in Television Comedy: Notes on Laughs<\/em>, London: Routledge, 170-85.<\/p>\n\n\n\n

Pateman, Matthew (2018): Joss Whedon<\/em>, The Television Series, Manchester: Manchester University Press.<\/p>\n\n\n\n

Weissmann, Elke (2018): Local, National, Transnational: Y Gwyll\/Hinterland as Crime of\/for all Places<\/a>. In: European Television Crime Drama and Beyond.<\/em> Turnbull, S., Peacock, S. & Hansen, K. T. (eds.). London: Palgrave, p. 119-137.<\/p>\n\n\n\n

Wright, Andrea (2018): Traditions, Festivities and Finales: The Changing Role and Reception of the Downton Abbey<\/em> Christmas Special<\/a>. In: Journal of Popular Television<\/em>. 6 (1), p. 85-103.<\/p>\n\n\n\n

2017<\/strong><\/p>\n\n\n\n

Andrews, H. (2017): From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015)<\/a>. In: Celebrity Studies<\/em>. 8 (2), p. 351-354.<\/p>\n\n\n\n

Andrews, Hannah (2017): ‘Imagined Lives, Invented Communities: The Biopic and American National Identity\u2019<\/a>. In: Adaptation<\/em>. p. 382-385.<\/p>\n\n\n\n

Research output<\/em>: <\/em>Contribution to journal<\/em> \u203a <\/em>Review article<\/em><\/em><\/p>\n\n\n\n

Andrews, Hannah (2017): Milly Williamson, Celebrity: Capitalism and the Making of Fame<\/a> <\/strong>Book Review. In:<\/strong> Critical Studies in Television<\/em>, 12 (4), p. 449-450.<\/p>\n\n\n\n

Andrews, H. (2017): Women We Loved: Paradoxes of public and private in the biographical television drama<\/a>.<\/strong> In: Critical Studies in Television<\/em>. 12 (1), p. 63-78.<\/p>\n\n\n\n

Mills, Brett (2017) Animals on Television: The Cultural Making of the Non-Human<\/em>, Basingstoke: Palgrave Macmillan.<\/p>\n\n\n\n

Mills, Brett with Horton, Erica (2017) Creativity in the British Television Comedy Industry<\/em>, London: Routledge.<\/p>\n\n\n\n

Weissmann, Elke (2017): Watching CSI: a study of British audiences watching Channel 5 and Five USA<\/a>. In: Critical Studies in Television.<\/em> 12 (2), p. 174-190<\/p>\n\n\n\n

2016<\/strong><\/p>\n\n\n\n

Andrews, H. (2016): BBC Four biopics: Lessons in Trashy Respectability<\/a>. In: Journal of British Cinema and Television<\/em>. 13, 3, p. 409-429<\/p>\n\n\n\n

Andrews, H. (2016): \u2018No-nonsense-two-up-two-down-by-gum-you-daft-ha\u2019poth-Northerness\u2019: Jane Horrocks, Gracie Fields and performing generic Northernness<\/a>. In: Journal of Popular Television<\/em>, 4(2): p. 225-238.<\/p>\n\n\n\n

Mills, Brett (2016) \u2018Make Me Laugh: Creativity in the British Television Comedy Industry\u2019, Humor: International Journal of Humor Research<\/em>, 29 (2) 157-74.<\/p>\n\n\n\n

Mills, Brett (2016) \u2018\u201cIf This Was a Human\u2026\u201d: Pets, Vets and Medicine on Television\u2019, Critical Studies in Television<\/em>, 11 (2) 244-56.<\/p>\n\n\n\n

Mills, Brett (2016) \u2018A Special Freedom\u2019 in Chiara Bucaria and Luca Barra (eds) Taboo Comedy: Television and Controversial Humour<\/em>, Basingstoke: Palgrave Macmillan, 209-26.<\/p>\n\n\n\n

Mills, Brett (2016) \u2018\u201cOut There, in the World\u201d: Representations of the Zoo and Other Spaces in the Madagascar<\/em> Trilogy\u2019 in Michael Lawrence and Karen Lury (eds) The Zoo: Images of Exhibition and Encounter<\/em>, Basingstoke: Palgrave Macmillan, 137-52.<\/p>\n\n\n\n

Mills, Brett (2016) \u2018Old Jokes: One Foot in the Grave<\/em>, Comedy and Age\u2019 in J\u00fcrgen Kamm and Birgit Neumann (eds) British Television Comedy: Cultural Concepts and Contexts<\/em>, London: Routledge, 265-80.<\/p>\n\n\n\n

Molloy, C. (2016): Animal Cruelty and Reality Television: A Critical Review<\/a>. <\/strong>In:<\/strong>  Animal Cruelty: A multidisciplinary approach to understanding. Second edition.<\/em> Brewster, M. P. & Reyes, C. L. (eds.). Carolina Academic Press, p. 379-395<\/p>\n\n\n\n

Geraghty, C., Weissmann, E., Jermyn, D., Lad, M., Gorton, K., McCourt, M. & Kies, B.(2016) Women, Soap Opera, and New Generations of Feminists<\/a>. In: Critical Studies in Television. 11 (3), p. 365-384<\/p>\n\n\n\n

Weissmann, E. (2016) Women, Television and Feelings: Theorising Emotional Difference in Gender in SouthLAnd <\/em>and Mad Men<\/em><\/a>. <\/strong>In: <\/strong>Emotions in Contemporary TV Series.<\/em> Garcia, A. N. (ed.). Basingstoke, New York: Palgrave Macmillan, p. 87-101<\/p>\n\n\n\n

2015<\/strong><\/p>\n\n\n\n

Mills, Brett and Ralph, Sarah (2015) \u2018\u201cI Think Women are Possibly Judged More Harshly with Comedy\u201d: Women and British Television Comedy Production\u2019, Critical Studies in Television<\/em>, 10 (2) 102-17.<\/p>\n\n\n\n

Mills, Brett (2015) \u2018Towards a Theory of Documentary Representation for Animals\u2019, Screen<\/em>, 56 (1) 102-7.<\/p>\n\n\n\n

Mills, Brett (2015) \u2018\u201cShoved Online\u201d: BBC Three, British Television and the Marginalisation of Young Adult Audiences\u2019 in Einar Thorsen, Heather Savigny, Jenny Alexander and Daniel Jackson (eds) Media, Margins and Popular Culture<\/em>, Basingstoke: Palgrave Macmillan, 219-31.<\/p>\n\n\n\n

Mills, Brett (2015) \u2018The Panel Show\u2019 and \u2018Natural History Programming\u2019 in Glen Creeber (ed) The Television Genre Book, 3rd<\/sup> edition<\/em>, London: British Film Institute, 109-11 and 154-5.<\/p>\n\n\n\n

Mills, Brett (2015) \u2018The Television Sitcom\u2019 in Martin Conboy and John Steel (eds) The Routledge Companion to British Media History<\/em>, London: Routledge, 451-9.<\/p>\n\n\n\n

2014<\/strong><\/p>\n\n\n\n

Andrews, H. (2014):  Television and British Cinema: Convergence and Divergence since 1990<\/a><\/em>. London, New York: <\/strong>Palgrave Macmillan. <\/p>\n\n\n\n

Andrews, H. (2014): \u2018More than a Television Channel\u2019: Channel 4, FilmFour and a failed convergence strategy<\/a>. <\/strong>In: VIEW: Journal of European Television History & Culture<\/em>. 3 (6), p. 5-13<\/p>\n\n\n\n

Mills, Brett and Ralph, Sarah (2014) \u2018\u201cTrying to Ride a Naughty Horse\u201d: British Television Comedy Producers\u2019 in Andrew Spicer, Anthony McKenna and Christopher Meir (eds) Beyond the Bottom Line: The Producer in Film and Television Studies<\/em>, London: Bloomsbury, 161-74.<\/p>\n\n\n\n

Mills, Brett (2014) \u2018Sitcoms\u2019 and \u2018Sketch Comedy Shows\u2019 in Salvatore Attardo (ed) Encyclopedia of Humor Studies<\/em>, Thousand Oaks: Sage, 695-8, 698-700.<\/p>\n\n\n\n

Pateman, Matthew (2014): <\/strong>Firefly<\/em>: of formats, franchises and Fox. In Reading Joss Whedon<\/em>, eds. Rhonda Wilcox, Tanya Cochrane, Cynthea Masson and David Lavery. Syracuse UP, pp. 153 – 168.  <\/p>\n\n\n\n

Weissmann, E. (2014) Exploring the Wild Wild East: The Transnational Aesthetics of Ripper Street<\/a>. In: Fernsehen: Europaeische Perspektiven. Festschrift Prof. Dr. Lothar Mikos.<\/em> Eichner, S. (ed.). Konstanz und Muenchen: UVK, p. 107-120<\/p>\n\n\n\n

Weissmann, E.<\/a> & Thornham, H., (2014), Remaking Public Service for Commercial Consumption: Jamie’s School Dinners Comes to America<\/a>. In: Remake Television. Reboot, Re-use, Recycle.<\/em> Lavigne, C. (ed.). Lanham, Maryland, Plymouth: Lexington Books, p. 187-202 <\/p>\n\n\n\n

Weissmann, E. (2014) Troubled by Violence: Transnational Complexity and the Critique of Masculinity in Ripper Street<\/a>. In: Upstairs and Downstairs. British Costume Drama Television from The Forsyte Saga to Downton Abbey.<\/em> Leggott, J. & Taddeo, J. (eds.). Lanham, Bolder, New York, London: Rowman & Littlefield, p. 275-286<\/p>\n\n\n\n

Wright, A. (2014): This Wonderful Commercial Machine: Gender, Class, and The Pleasures and Spectacle of Shopping in The Paradise and Mr Selfridge<\/a>. In: <\/strong>Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey.<\/em> Leggott, J. & Taddeo, J. A. (eds.). Lanham, Boulder, New York, London: Rowman and Littlefield, p. 235-248<\/p>\n","protected":false},"excerpt":{"rendered":"

Recent and Forthcoming Forthcoming Minor, L. (in press). The \u2018milf\u2019: a brief cultural history, from Mrs Robinson to Stifler\u2019s mom Dunleavy, Trisha and Weissmann, Elke (eds.) (2024) TV Drama in the Multi-Platform Age, Palgrave Macmillan. Weismann, Elke (2024) “Gender and the Youthification of German Television: Zeit der Geheimnisse and Generational Change in High-End TV Drama”, […]<\/p>\n","protected":false},"author":1942,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-49","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nOur recent publications - Television Studies Research Group<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Our recent publications - Television Studies Research Group\" \/>\n<meta property=\"og:description\" content=\"Recent and Forthcoming Forthcoming Minor, L. (in press). The \u2018milf\u2019: a brief cultural history, from Mrs Robinson to Stifler\u2019s mom Dunleavy, Trisha and Weissmann, Elke (eds.) (2024) TV Drama in the Multi-Platform Age, Palgrave Macmillan. Weismann, Elke (2024) “Gender and the Youthification of German Television: Zeit der Geheimnisse and Generational Change in High-End TV Drama”, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/\" \/>\n<meta property=\"og:site_name\" content=\"Television Studies Research Group\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-08T11:54:54+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/\",\"url\":\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/\",\"name\":\"Our recent publications - Television Studies Research Group\",\"isPartOf\":{\"@id\":\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/#website\"},\"datePublished\":\"2021-05-28T08:43:15+00:00\",\"dateModified\":\"2025-09-08T11:54:54+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Our recent publications\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/#website\",\"url\":\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/\",\"name\":\"Television Studies Research Group\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Our recent publications - Television Studies Research Group","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/","og_locale":"en_GB","og_type":"article","og_title":"Our recent publications - Television Studies Research Group","og_description":"Recent and Forthcoming Forthcoming Minor, L. (in press). The \u2018milf\u2019: a brief cultural history, from Mrs Robinson to Stifler\u2019s mom Dunleavy, Trisha and Weissmann, Elke (eds.) (2024) TV Drama in the Multi-Platform Age, Palgrave Macmillan. Weismann, Elke (2024) “Gender and the Youthification of German Television: Zeit der Geheimnisse and Generational Change in High-End TV Drama”, […]","og_url":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/","og_site_name":"Television Studies Research Group","article_modified_time":"2025-09-08T11:54:54+00:00","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/","url":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/","name":"Our recent publications - Television Studies Research Group","isPartOf":{"@id":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/#website"},"datePublished":"2021-05-28T08:43:15+00:00","dateModified":"2025-09-08T11:54:54+00:00","breadcrumb":{"@id":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/our-recent-publications\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/"},{"@type":"ListItem","position":2,"name":"Our recent publications"}]},{"@type":"WebSite","@id":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/#website","url":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/","name":"Television Studies Research Group","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"}]}},"_links":{"self":[{"href":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/wp-json\/wp\/v2\/pages\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/wp-json\/wp\/v2\/users\/1942"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":0,"href":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/wp-json\/wp\/v2\/pages\/49\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.edgehill.ac.uk\/tvresearchgroup\/wp-json\/wp\/v2\/media?parent=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}